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- Jul 27, 2021
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The problem with Sony cameras has always been their colours. Those that shoot S Log2/3 have great dynamic range and a host of other fantastic features but I needed to fix the colour for myself so I could unlock the full potential out of my Sony Cameras
To me, the gold standard for colour science is still to be found in the ARRI Digital Camera family, and so using my own ARRI Amira as a benchmark, I developed a LUT that reverse engineers the colour science of the Alexa709 LUT, which I’ve always found to look filmic and natural, straight out of camera; The result is my ‘Phantom LUT’.
Phantom LUTs (ARRI Look).zip - 3.6 MB